I’ve been a wretched blogger lately. Let me be honest: when I was writing my thesis, I got out of the habit. It happens; maybe there are only so many words in me, and most of those needed to be devoted to that glorious monstrosity. I would like to declare that, now that I’m an M.A. without half the responsibilities of a few months ago, I’ll be a better blogger. That might not be true, so I’m not making promises. But here’s the second post of June, so that’s at least some semblance of progress.
I last posted a book review two months ago, when I finished John Green’s The Fault in Our Stars. Since then, I’ve read quite a few stellar books, so here’s a quick review:
I began this novel on a road trip from Williamsburg, VA. My friend Jenna was driving the whole almost-8-hour trip on that rainy Sunday, and I finished the first 200 pages before we arrived home. What a perfect way to begin a book that is, at least in part, the story of a road trip across America. The protagonist of the novel, named Shadow, meets the mysterious Mr. Wednesday, who offers him a job as an assistant/bodyguard. Shadow, an ex-con and recent widower, joins Mr. Wednesday in what becomes a battle of mythological forces across America. This novel is a fascinating tale of what happens to gods and goddesses when their worshipers immigrate to America as well as the way in which new gods and goddesses form as society evolves. In the midst of searching for the gods of America and preparing for a coming war, Shadow is also on a quest to discover life after the life he once cherished dissolves. I’m a huge fan of Gaiman’s writing style (across genres–in novels, movie/TV scripts, short stories, comic books, and books for children), and this book is beautifully written and incredibly evocative of American culture (from a man who is, natively, a Brit). Hopefully, I’ll soon read the companion novel Anansi Boys, and according to Gaiman’s Twitter feed, he is currently adapting the novel for a script for a television show.
Mieville is one of the three authors I studied for my thesis. He is quite prolific, turning out a book a year for at least the past four years, all of which have been incredibly well-written and thought-provoking and distinct. This novel, his first young adult novel in several years, is a retelling of Moby Dick. Instead of ships, however, the crew travel on trains along the railsea, in a fascinating world that Mieville has created. The protagonist of the novel is Sham ap Soorap, a doctor’s apprentice who longs to salvage the wrecks of trains along the railsea. His captain, instead of hunting a great white whale, is searching for a great Southern moldywarpe, with whom she had battled (and lost) years before. One fabulous aspect of this novel, as my thesis advisor pointed out in our conversations about the book, is that, instead of allowing the beast to act as metaphor (as Melville did in Moby Dick), Mieville jumps straight to the point: each captain is in search of a “philosophy” that drives his or her journeys across the railsea. The moldywarpe becomes this captain’s obsession, but Sham soon discovers his own philosophy after finding a photo memory card in a trainwreck. The results of his search are fantastic and fascinating. One downside to this book, however, is that those not familiar with Mieville’s style might have a hard time with his language use and the sci-fi content of the book. Mieville is part of a movement of sci-fi writers called the “New Weird,” and his novels definitely are not written for every audience (but what book is?). My suggestion: if you want to try reading Mieville, start with his detective novel The City & the City (the book I wrote my thesis on), an work your way through the rest of his books from there.
I knew as soon as I picked this novel up that I would love it–the title, the steampunk cover, and, of course, the dystopian premise. Also, even though I haven’t heard much about it (as with, say, The Hunger Games), the novel did win the Michael L. Printz Award (sort of like the Newbery for young adult literature) and was a National Book Award finalist. Prestigious. The book follows Nailer, one of the titular ship breakers, who is part of a “light crew” responsible for crawling through the bowels of wrecked oil tankers to scavenge for copper and other materials to sell. After a vicious storm hits the Gulf of Mexico, where the novel is set, Nailer is scavenging aboard a clipper and discovers a wealthy young girl alive in the wreckage. Eventually, Nailer and “Lucky Girl,” as she comes to be called, must flee the coast in an effort to reunite her with her father’s people and also escape from people who want both Nailer and Lucky Girl dead. The novel, as most dystopian novels are, is an interesting portrayal of society; following whatever disaster wrecked the country, cities have been destroyed and people fight for survival, yet, still, the wealthy remain powerful and the poor remain powerless. Like so many other dystopias, this novel focuses on class consciousness in a prominent way, and I, personally, am glad to see the social commentary take the focus instead of a love triangle in which a girl must both decide whom she loves as well as overthrow a government. In this novel, Nailer and Lucky Girl really do have to fight really hard for survival, and the consequences of that fight are revealed throughout the novel.
Most of the rest of my planned summer reading follows this sci-fi/fantasy/dystopian theme, unsurprisingly. I’m currently about halfway through Max Brooks’ fascinating novel World War Z: An Oral History of the Zombie War, and I’ve just checked out the companion novel to Ship Breaker, which is called The Drowned Cities. Soon, too, I plan to delve into a lengthy novel called 1Q84, which has been both critically acclaimed and bestselling, a rare feat in the publishing world these days. That novel is 925 pages, though, and I’ll be honest and say I’m a bit intimidated by the sheer size and weight of that book. Still, I’m told it’s a worthy conquest. Perhaps in a few weeks, I’ll have more wonderful books to write about!